An interview with Jose Cabezon
by Amy Edelstein
Jose Cabezon
introduction
When I thought about gay liberation and Buddhist liberation, I saw technicolor. Loud, flamboyant images, evocative poetry, outrageous creative escapades . . . Allen Ginsberg, John Giorno, the beatniks. Adventurous men who, from the Bowery to San Francisco to the banks of the Ganges and the hilltops of Darjeeling, brought us mixed metaphors of uninhibited male love and Eastern spiritual pursuit. These unusual men took these metaphors into the public arena, out of the privacy of the bedroom and the silence of the meditation hall. Over one million people called in to hear Giorno's passionate and often provocative dial-a-poems. In places as conservative as Pittsburgh, Pennsylvania, in the 1970s Allen Ginsberg chanted verses about nirvana, satori [enlightenment experiences] and male sexual ecstasy while his lover droned in the background on a harmonium, sparking the spirit of the quest in countless young poets, myself among them. I thought of Whitman and the transcendentalists. I thought of a movement associated with an endless crescendo of epiphanies, with an ecstatic celebration of the divine in the human body, a movement propelled by a great energy, fueled by defying convention and breaking boundaries—in search, in search of something beyond, something ecstatic, exalted, something both immanent and transcendent.
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